De Castro - Biografie: Voorkeur voor driestemmigheid

Tabel I: De Castro's Preference for Three-part Music

A summary of the music for three voices within the entire oeuvre of ten polyphonists from the Low Countries active in the second half of the 16th century. Note the leading role (in relative ánd absolute figures) of Jean De Castro concerning the composition of music for three voices.

Composer	New Prints	Date of First and Last Publication	Genres	Setting	Publications with three-part music
Gérard VAN TURNHOUT (ca. 1520-1580)	1	1569	motet	3	1
Philippus DE MONTE (1521-1603)	49	1554-1600	chanson, madrigal, motet, mass	3, 4, 5, 6, 7, 8, 12	1
Séverin CORNET (ca. 1530-1582)	4	1563-1581	chanson, madrigal, motet, canzona napolitana	4, 5, 6, 7, 8	0
Orlandus LASSUS (1532-1594)	130	1555-1687?	chanson, madrigal, motet, mass, canzona napolitana, Lied, psalm, magnificat	2, 3, 4, 5, 6, 7, 8, 9, 10, 12	1
Jacobus DE KERLE (1531/2-1591)	15	1558-1585	motet, psalm, mass, magnificat, hymn	4, 5, 6, 8	0
Andreas PEVERNAGE (1543-1591)	9	1578-1607	chanson, motet, mass	5, 6, 7, 8	0
Jacob REGNARD (ca. 1540/45-ca. 1599)	15	1574-1605	motet, mis, canzona italiana, Lied	4, 5, 6, 7, 8, 10	0
Jean DE CASTRO (ca. 1540/45-ca. 1600)	28	1569-1599	chanson, madrigal, motet, mass	2, 3, 4, 5, 6, 8	14
Jean DESQUESNES (second half 16th century)	1	1594	madrigal	5	0
Noé FAIGNIENT(active between 1560 and 1600)	1	1568	chanson, madrigal, motet	4, 5, 6	0